Body Interfaces

Body Interfaces

Body Interfaces research


This blog is an ongoing update on the activities of the Body Interfaces artistic research project.
For portfolio, go to the project website: http://tmkm.dk/works/bodyinterfaces.html

Body Interfaces concept and method

"The body as interface" is an artistic concept and research that comes out of a long research in body-based performance practices, site specific art and technology. The project has a very expansive interpretation and definition of the terminology of "interface" and aims to take the combination of body - interface to a wider understanding, as a relational space between two entities, concerning the aspects of bringing together two parts, as well as separating them, being a threshold condition for the two.

The research combines working with the body and (as) materiality in the tradition of site specific performance art combined with a newer understanding of the body that we have derived through our use of technology and its terminology. The project will benefit from the methodology of technology and not use technology as such; it will research in the physical sensations and meeting points that the body has with the surroundings, inspired by tools required from studying the body in technology with the concept of the interface as a main focus point. The interventions deals with the body as interface for experience, communication in relation to other materialities and the environment that surrounds and interact with these. The interface is here read as a transmitting entity and agency between the body and the surrounding surfaces; translating signals through interaction in and with the environment.

Body Resonance at Liebig12, Berlin (DE)

performance art, researchPosted by Tina Mariane Krogh Madsen Sat, June 03, 2017 18:13:55
Tina Mariane Krogh Madsen: Body Resonance
Sound installation at Liebig12

Liebigstraße 12 – 10247 Berlin
(DE)


Opening date: June 15. 2017 // Closing date: June 22. 2017

Installation
opening 15.06.17 from 18-22h:

18-20h // the first durational graphic notation will be created in the installation space
20h // introduction to the installation and its processes by the artist.

General opening hours:
June 16-18: 16-20 (from 16-18h the artist will do a durational notation in the back space).
June 19-21: 15-19 (from 15-17h the artist will do a durational notation in the back space).
Closing 22.06: 16-20 (from 16h-18h the artist will do the last durational notation and all previous notations will be presented in the installation space).

The sound installation Body Resonance originates from Tina Mariane Krogh Madsen’s extensive Body Interfaces performance work. The research deals with the threshold condition of the body in interaction with specific places and environments, creating a critical interaction and engagement. Body Resonance takes very literate the direct confrontation between the structural elements of the space and the body, where the soundscape is a recording of the artists body slamming into the walls and floors of an echoing empty space, created in the Hof Art Studio at the Skálar Sound Art Residency in Seyðisfjörður (IS), November 2015. The sounds of both the flesh of the body hitting the surfaces, its echoes, as well as the silent passages in-between, create a composition based on movement, intensity, and anticipation. In the installation, the recorded sound is installed, played and relocated in the empty frontal space of Liebig12, with only a transcript of the actions as a guide for the listener.

The space of Liebig12 will only be inhabited by the play-back of the sounds recorded, giving the visitors the opportunity to create their own connections, with a given choice to read the transcribed notated actions together with the sounds or simply just listen to the sounds themselves.

A crucial part of Madsen’s work is to rework and recreate performative processes. The artist will therefore do a durational processual notation responding to her own body sounds of the installation for 2 hours every day in the back space of Liebig12. The front space and the back space will be visually separated, to give the installation its own space and the artist working in response to the sounds an additionally own concentrated space. Total sonic separation is, however, not possible, nor intended. During this action the sound of the notation will fusion together with the body sounds of the installation, and thus create a new site-specific soundscape and mode of expression.

The transcribed actions are available on site as a printed artist booklet.



10.1.1 100 Continue, performance at Sofia Underground International Performance Art Festival

performance art, researchPosted by Tina Mariane Krogh Madsen Fri, April 28, 2017 11:57:03


Tina Mariane Krogh Madsen: Body Interfaces: 10.1.1 100 Continue, performance at the Sofia Underground International Performance Art Festival, 28.04.2017 at the electro-control room at the National Palace of Culture, Sofia (BG)

“The (body) may continue with its request. This interim response is used to inform the (body) that the initial part of the request has been received and has not yet been rejected by the (mind). The (body) SHOULD continue by sending the remainder of the request or, if the request has already been completed, ignore this response. The (mind) MUST send a final response after the request has been completed.” >

Body Interfaces is an artistic performance research by Tina Mariane Krogh Madsen that combines working with the body and (as) materiality in the tradition of site-specific performance art with an understanding of the body derived through a methodology coming from technology. The interface in Body Interfaces is inscribed in the body's relation to the environment and the actions that it partakes in, with the body as an embodied technology in itself. It is a proposition to go beyond the mere body/machine dichotomy, the traditionally known Human Computer Interface and the contemporary more ubiquitous interface approach still depending on computer hardware and software. Instead the research aims at a representation and understanding of the interface as a crucial part of experiencing and sensing in everyday life, through and with the body. We now engage with the world, with our body as also technology that interfaces and activates relations through everyday practices.

Body Interfaces thus researches in the physical sensations and meeting points that the body has with the surroundings, inspired by tools and methods coming from studying the body in technology with the concept of the interface as its main focus point. For the Sofia Underground Performance Art Festival the HTML command '100 Continue' is rewritten into a performance score to be performed with the body. The structure and the duration of the piece is nailed down to be a total of 10 acts of each 10 minutes duration, a divided sum that in total also equals 100 minutes. The performance thus deals with how time is structured by a principle, here both through the command line as well as the given parameter of the instruction chosen by the performer. Time will in this way be a central element in the structure of the piece, as well as it is an important part of the protocol controlling the performance.

Site-specificity is an essential part of the Body Interfaces research. The site is the departure point and data-feeder for the performances, where the senses become important catalysts for the interaction with the site as a vital part of the interfacing process. Body Interfaces wish to challenge and incorporate formats and terminologies inherent from technology and scientific practices; creating a DIY, open and analogue approach to these. The data collected through the actions will be notated on site as a part of the performance as a live scripting act.

> This paragraph is a modified version of the HTML 100 response to be found on various sites related to HTML, e. g. on the protocol lists at W3 https://www.w3.org/Protocols/rfc2616/rfc2616-sec10.html and Connected: An Internet Encyclopedia, http://www.freesoft.org/CIE/RFC/2068/72.htm, the text in brackets is changed and inserted by the artist.











All photos by: Malte Steiner


Workshop at Sofia Underground International Performance Art Festival, April 25. 2017

performance art, researchPosted by Tina Mariane Krogh Madsen Fri, April 28, 2017 11:45:54
Tina Mariane Krogh Madsen

workshop: Body Interfaces – site-hacking: critical urban performance practice

Place: Goethe Institut Bulgaria,
Budapeshta St. 1, 1000 Sofia, Bulgaria

Open call for participation.

The workshop will be held in English and is open to all levels, but please send a line about your previous experience with performance art, so the workshop can be planned the best way possible. Duration 3 hours on a selected location in Sofia.

This Body Interfaces workshop centers around the possibilities of analyzing and recapturing urban space through performance practices and thus hacking its normative functions through the use of the body and its relation to site and environment. The workshop will explore territories, observe and intervene! Time will be used as a central element in structuring the form of the interventions as well as time is connected to the way the body will use movement in urban space. Referring to the method of Tina Mariane Krogh Madsen's Body Interfaces research, the body will be used as a data-gathering tool to explore places and interact with these. It introduces spatial theory and tactical intervention practices, where the body will be a technological tool that can be used as a critical instrument. In the area where the workshop will take place initial hierarchies and power structures will be deconstructed through physical engagement with the selected site, facilitating a type of data-mining with the body.

The workshop will be in three parts:

1. Introduction to the method and to critical spatial practices.

2. Observation and registration – uncovering how the site is used, what is its characteristics and how is it systematized.

3. Intervention – how can we as performers hack into the use and the structure of space and create critical situations and potentially disrupt the use and the thought of space and place.


If you are interested to participate, contact us on: workshop@sofiaunderground.com


Images from the workshop:






All photos by: Malte Steiner

Body Interfaces, Piksel Festival 2016

performance art, researchPosted by Tina Mariane Krogh Madsen Sun, December 04, 2016 21:37:34
Body Interfaces: zero-level elevation

Performance at the sea-coast in Bergen, the Mill (NO)




For the performance intervention at Piksel 2016, Body Interfaces will be used to challenge and work with the scientific concept of “zero-level elevation” (equaling the sea-level), used to map surfaces in topography. The departure point will be a site specific intervention on a selected area nearby the sea in Bergen. This method will be challenged as a performance concept and instrument to gather information from the Body Interfaces interactions. The data collected will be notated on site as a part of the performance as well as samples will be gathered for further use. The performance will challenge scientific methods and concepts as well as introduce new ways to structure and collect information, where chance and failure are accepted conceptions of the performative process.


http://16.piksel.no/2016/11/26/body-interfaces-zero-level-elevation/



Week three - interventions in Aarhus / urban space

performance art, researchPosted by Tina Mariane Krogh Madsen Fri, October 28, 2016 18:30:06
Week three started with interventions at the harbour side of Aarhus. The first was performed at a construction site next to the new architectonic structure of Dokk 1. This area has an interesting clash between open accessible space and restricted building site. This additionally seems to be a symbol of Aarhus changing, where the industrial harbour site of Aarhus now is transformed into architectonic monuments in steel and glass. I therefore found this site would as an interesting place to create the first Body Interfaces urban intervention in Aarhus, to point out the above mentioned parameters and deal with the more critical aspects of site specific performance practices.

Saturday October 29., I will again be at the harbour moving between Dokk1 and Østbanetorvet / Aarhus Ø more interventions, these will run throughout the afternoon.

Week one and two - interventions in Spanien 19C

performance art, researchPosted by Tina Mariane Krogh Madsen Fri, October 28, 2016 18:24:03
The first Body Interfaces interventions from October 16 to 27 were all a continuation of the performance at the opening, where the space and the spatial qualities of Spanien 19C were researched and registered through various actions.

The Spanien 19C floor structure reminds me of stone structures that I have seen in nature, in Iceland and I therefore found it interesting to re-contextualize these through two different actions:

1) The structure of the floor was thoroughly registered via imprints done by pressing parts of the body, mainly arm, here elbow, against a big rolled out piece of paper. The action resulted in a restructured paper and an elbow where the skin was peeled off. The parameters and threshold of this process was afterwards scripted on one of the big rolls of paper in the installation.

2) The re-contextualization was further highlighted through the placement of a enlarged photo of volcanic rock structures placed on the floor of Spanien 19C as an installed element.

The characteristic red brick walls of Spanien 19C was additionally investigated and registered by small actions through movement. These was carefully sensing the structures. As with the floor intervention, these were also scripted on the big rolled out piece of paper hanging on the wall in the installation.

Body Interfaces Research // Body As Interface, installation opening, Spanien 19C on October 15. 2016

performance art, researchPosted by Tina Mariane Krogh Madsen Sun, October 16, 2016 17:25:09
The Body Interfaces Research installation opened on October 15. at the Exhibition Space Spanien 19C in Aarhus (DK).

Tina Mariane Krogh Madsen's opening Body Interfaces performance “Three Spatial Acts” took departure in the space of Spanien 19C, where the relation between the body and certain spatial characteristics were explored. Cross references between previous performances and interventions were here crucial, where also the inclusion of the installation of documentation (as format) became a reference point.






Body Interfaces // Body As Interface, installation at the exhibition space Spanien 19C in Aarhus (DK)

performance art, researchPosted by Tina Mariane Krogh Madsen Wed, September 28, 2016 22:55:21
Opening: October 15. 2016 at 15.00

Exhibition period: October 15. to November 6. 2016
Opening hours: Thursday-Sunday from 13.00 to 17.00.
There will be additional opening hours for events, see program.
Location: Spanien 19C, Kalkværksvej 5A, 8000 Aarhus C, www.spanien19c.dk

Body Interfaces // Body as Interface is a site-specific performative installation, a spatial activation of Tina Mariane Krogh Madsen's extensive research in Body Interfaces, which is using a terminology coming from technology in a site-specific performance and intervention-based practice. This embodies the concept of 'interface' through analog interactions with the environment, creating a feedback loop between the body and site. The body as interface is here read as a transmitting entity, which deals with the relationship between the body, surrounding surfaces and the environment.

The installation in the exhibition space Spanien 19C takes the form of a laboratory that develops through its duration; it is a performative project that regards the presentation format as a performance in itself. It is additionally a reflection on the use of archive and documentation in performance art, used as a catalyst for generating new works and processes as well as it reflects on the use of notation and instruction as a form of live coding and activation concept.

During the duration of the installation the artist will be present and activate the lab, where new Body Interfaces research will be generated during the opening hours of the exhibition space. The presentation and installation in Spanien19C is part of an ongoing investigation of formats, where it is showing materials from previous performances and interventions as well as it develops these processes further in dialogue with the unique space of Spanien 19C. During the installation there will be a number of events related to the project's research field: Body Interfaces performances, concerts and invited guests in a dialogue and discussion about interfaces in theory and practice.

Interventions in the cityscape of Aarhus is a crucial a part of the data-gathering process of the project. These interventions will take place at 12.00 noon on selected days, where locations and dates will be published here on this site.

From 13.00 and onwards, in the opening hours of the exhibition space, the artist will return to the Body Interface lab with the collected data from the interventions, which will be reworked in the installation context.

The first interventions and performances under the title Body Interfaces were developed during an artist residency in Iceland at the Fljótstunga Travelfarm in the spring of 2015 and later adapted to the urban context of the 'open source' festival Electropixel in Nantes, France (2015). During another two-month stay in Iceland in the frame of the Skálar Artist Residency in Seydisfjordur (2015), sound was further included in the research in collaboration with media and sound artist Malte Steiner. In addition, Madsen presented and performed her research in the Wolfart Projectspace in Rotterdam, the Netherlands (2016), and as a part of Atelierhaus im Anscharpark's Crossover project in Kiel, Germany (2016). The first performative Body Interfaces installation took place in the performance space Grüntaler9 in Berlin, Germany (2016), in an intense eight-day 'performative scripting', where invited performers reactivated material from previous Body Interfaces performances and interventions as well as Madsen daily performed in the space. Body Interfaces was also presented at the Interface Politics 1st International Conference in Barcelona, Spain (2016) organized by BAU School of Design and Hangar.org.

Tina Mariane Krogh Madsen is a Danish Artist, Art Historian and Curator. She has worked with conceptual and performative practices since 1999 and has a Master of Arts in Art History from Aarhus University, with a strong focus on media and networked art. Madsen is currently based in Berlin, Germany.

Event program:
15/10/2016 at 15.00 to 17.00: Opening of the installation with a Body Interfaces performance by Tina Mariane Krogh Madsen

30/10/2016 at 13.00 to 16.00: The body as Interface, performances and panel discussions around the topic of critical interfaces with invited guests: Associate Professor and interface researcher Søren Bro Pold (Aarhus University); the Spanish media- and interface artist Joana Moll via Skype (http://janavirgin.com/), more TBA. The event will be held in English.

5/11/2016 at 20.00 to 23.00: Concert and performance evening with the theme Body Resonance, a collaboration between Tina Mariane Krogh Madsen and the German electronic musician and media artist Malte Steiner. This evening will feature three different concerts and performances by Tina Mariane Krogh Madsen, Elektronengehirn (Steiner, http://block4.com), and TMS (Steiner & Madsen, http://tms.tmkm.dk).


Download press release:

In English:

In Danish:


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